SCENE 01 / BROADCAST DELIVERY
Broadcast Delivery
Professional broadcast delivery ensuring perfect compliance with television network standards worldwide.
Broadcast delivery prepares finished content for television transmission by meeting the specific technical standards of each broadcaster. This includes conforming to required video codecs, audio channel configurations, loudness standards, closed captioning, and quality control specifications that vary between networks and territories.
We manage broadcast delivery by coordinating with mastering facilities that understand the technical requirements of your target broadcasters. Our team handles format specifications, quality control checks, and delivery logistics to ensure your content passes technical acceptance and airs without issues.
Capabilities
Broadcast Delivery Excellence
We ensure your content meets the exact technical specifications required by television networks worldwide, from major international broadcasters to regional channels.
01
Network Ready
Meeting all broadcaster specifications for seamless content acceptance.
Compliance
02
QC Verified
Comprehensive quality control testing ensuring first-pass acceptance.
Quality
03
Audio Compliance
Loudness standards and proper channel mapping for broadcast.
Standards
04
Global Standards
PAL, NTSC, and HD specifications for worldwide distribution.
Universal
Broadcast Services
Technical Capabilities
Why Us
Why Choose Our Broadcast Services
01.
First-Pass Success
Files accepted without rejection.
02.
Quick Turnaround
Meeting tight broadcast deadlines.
03.
Network Expertise
Knowledge of all major broadcasters.
04.
QC Reports
Detailed compliance documentation.
On Location
AS-11 and DVB-T2 HD broadcast delivery to ARD, ZDF, RTL, ProSiebenSat.1, and Sky DE
Here is how this works in practice. Our broadcast-delivery operation packages masters for the full German broadcast ecosystem — ARD and ZDF (the two public TV networks operating under the Rundfunkstaatsvertrag treaty), RTL Group (headquartered in Cologne), ProSiebenSat.1 (Unterföhring near Munich), Sky Deutschland (also Unterföhring), Joyn (the ProSiebenSat.1 ad-funded streaming service), RTL+ (RTL Group's streaming arm in Cologne), WOW (Sky Deutschland's streaming brand), Magenta TV (Deutsche Telekom), and ARD Mediathek + ZDFmediathek (public-TV networks on-demand).
Here is the short of it. Delivery formats anchor on AS-11 X1 (the German broadcast deliverable wrapper) and DVB-T2 HD which has been Germany's digital terrestrial broadcast standard since the 2017 sunset of legacy DVB-T. Masters route through ARRI Media Munich, Studio Babelsberg Potsdam (UFA founding studio since 1912), Bavaria Film Geiselgasteig, MMC Studios Köln, and Studio Hamburg, with QC chains running Interra Baton, Vidcheck, and Tektronix Prism waveform/vectorscope verification against EBU R128 -23 LUFS broadcast loudness and ITU-R BT.709 broadcast gamut. We contract under D-A-CH market norms at 19% MwSt VAT with the 40-hour Monday-to-Friday week, setting up across Berlin, Potsdam, Munich, Köln, Unterföhring, Hamburg, and Mainz (ZDF headquarters).
Here is the breakdown. Broadcast delivery sits inside the German rules — MStV (Medienstaatsvertrag — the unified state-media treaty), JMStV (Jugendmedienschutz-Staatsvertrag — youth media protection), and Rundfunkstaatsvertrag (public-TV networks framework) impose specific deliverable obligations including FSK age-rating compliance (Freiwillige Selbstkontrolle der Filmwirtschaft — 0/6/12/16/18, mandatory for theatrical and binding for broadcast scheduling). DSGVO and BDSG data-residency rules govern metadata handling under BfDI oversight.
Here is what that looks like on the ground. Recent broadcast flagships include the public-TV networks commissions and co-productions Tatort (the longest-running German crime series), Babylon Berlin (Tykwer 2017+ — Germany's most expensive TV series ever, ARD/Sky), and Dark (Netflix 2017-2020). Pan-D-A-CH distribution (Deutschland-Austria-Switzerland — 95M+ German speakers, the EU's most-spoken native language) feeds dubbed soundtracks through Berliner Synchron (founded 1949 — oldest German dubbing house, the team that dubbed Citizen Kane), Hermes Synchron, Cinetyp München, Antares Film, and Iyuno-SDI Germany.
Cross-border AS-11 DPP deliverables for UK co-productions with BBC and Channel 4 route through Studio Hamburg post and ARRI Media Munich.
FAQ
Frequently Asked Questions
What broadcast standards do you support?
We support all major broadcast standards including HD and UHD formats, PAL and NTSC frame rates, and compliance with specifications from networks worldwide. Our team stays current with evolving broadcast requirements including HDR standards and immersive audio formats.
How do you ensure first-pass QC acceptance?
We use automated QC systems combined with manual review to verify every technical parameter before delivery. Our comprehensive checks cover video levels, audio loudness, safe areas, metadata, and format compliance. We provide detailed QC reports with every delivery.
Can you handle tight broadcast deadlines?
Yes, we understand the demanding nature of broadcast schedules. Our facilities operate extended hours when needed, and our efficient workflows enable rapid turnaround without compromising quality. We'll work with your schedule to meet even the tightest air dates.
Do you support international broadcast delivery?
Absolutely. We regularly deliver to networks across Germany, North America, Asia, and other territories. We're familiar with region-specific requirements including local loudness standards, captioning formats, and regulatory compliance for different markets.
Related Services
Productions in Germany that need this often pair it with Archival & Preservation Services, Digital Cinema Package (DCP), and Format Conversion & Encoding Services for full coverage. Most projects also draw on Audio Restoration and Online Conform & QC Services.
On Set
Ready for Broadcast?
Let's prepare your content for television networks worldwide.