SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your German production.
Wireless communication and audio transmission systems keep production teams connected and audio signals flowing without physical cables. These systems encompass wireless intercoms, IFB feeds, audio hops, and comms networks that are vital for coordinating large crews across expansive sets or locations.
We provide wireless system packages configured for your production's specific communication and audio distribution needs. Our team coordinates frequency planning and equipment testing to ensure interference-free operation, allowing seamless crew communication and reliable audio transmission throughout your shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
Scanning your locations to understand the RF environment and identify clean frequencies.
System Design
Designing an integrated wireless solution covering audio, video, and control needs.
Frequency Coordination
Allocating and documenting frequencies to ensure all systems operate without interference.
Production Support
Ongoing RF monitoring and support throughout your shoot.
On Location
Multi-Channel Wireless: Sennheiser Hannover, Teradek Video & ARRI WCU-4 Lens Control
Here is how this works in practice. Complete wireless ecosystems across Germany combine audio, video, intercom, and lens control under a single set up RF plan. We field Sennheiser Hannover-built Digital 6000 + EW-DX audio wireless, Teradek Bolt 6 LT and Bolt 6 4K video links for ALEXA 35/LF/Mini LF + Sony VENICE 2 + RED V-Raptor monitoring, Riedel Bolero wireless intercom beltpacks (manufactured in Wuppertal — Riedel is the global leader in broadcast intercom), and ARRI WCU-4 + Preston FIZ + Tilta Nucleus lens control systems built around the same Munich engineering custom.
Here is the short of it. Every system is pre-coordinated through Bundesnetzagentur (BNetzA) temporary frequency licenses well before production day. This includes on-site RF scanning to verify clean operation against Deutsche Telekom + Vodafone + O2 5G cellular saturation and DVB-T2 HD broadcast traffic that fluctuates in real time across Berlin, Munich, Hamburg, Frankfurt, and Köln urban environments.
Here is the breakdown. Heritage Babelsberg global productions (Inglourious Basterds 2009, Cloud Atlas 2012, Bridge of Spies 2015, Captain America: Civil War 2016, Matrix Resurrections 2021, Argylle 2024) plus All Quiet on the Western Front (Berger 2022) shown the full multi-channel discipline now standard on every DFFF/GMPF rebate project: 24+ audio channels, 4-6 wireless video transmitters, dedicated stunt + helicopter coordination channels, and ARRI WCU-4 lens-control frequencies kept clear of audio bands.
Here is what that looks like on the ground. Studio Babelsberg + Bavaria Film + MMC Köln + Studio Hamburg run in-house RF coordinators (frequency Tonmeister and broadcast engineers) who liaise directly with BNetzA and DFS Deutsche Flugsicherung when airborne work intersects. Cross-border supplements arrive same-week from London ARRI Rental + Vienna + Vantage Film Munich + Cinerent Berlin under EU Schengen free movement via Frankfurt FRA, Munich MUC, Berlin BER, and Köln-Bonn CGN cargo corridors.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We coordinate all production wireless systems including microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF equipment. Comprehensive coordination ensures all systems work together without interference.
How do you handle frequency allocation?
We scan your locations, identify clean frequencies within German legal spectrum, and allocate channels to all departments. We provide frequency documentation and work with each department to program their equipment.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems for video village distribution. These provide zero-latency transmission allowing directors and clients to monitor without cables.
Do you provide wireless lens control?
Yes, we supply wireless follow focus systems including Preston FIZ, ARRI WCU-4, and Tilta Nucleus. We ensure lens control frequencies are coordinated with other wireless systems.
What about German RF regulations?
We're familiar with German frequency regulations and ensure all wireless equipment operates within legal spectrum. We can advise on registration requirements for high-power systems.
Can you support large-scale productions?
Yes, we regularly support productions with dozens of wireless channels across multiple departments. Complex productions benefit most from comprehensive RF coordination.
Related Services
Productions in Germany that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.